Laura Socials

How it works

From account datato the next ad.

No magic framework with seventeen trademarked steps.

We look at what is happening, make a decision, get it produced and use the result to make the next decision better.

Dataโ†’Decisionโ†’Creativeโ†’Productionโ†’Live
Laura reviewing performance data and creative briefs

01

Start withthe account.Not a blankbrainstorm.

I look at the ads already running, the products you're pushing, customer reviews, competitor creative and whatever your team has learned so far.

Outputโ†’ Creative priorities

What's getting spend?

What's getting ignored?

What message shows up in the winners?

What haven't you tested yet?

02

Turn the gapsinto actual tests.

Once we know what we're missing, I build the concepts around specific questions.

That's where the concepts and briefs come from.

Outputโ†’ Ideas with a reason
Pain point AvsPain point B
DemovsTestimonial
FoundervsCustomer
Hook AvsHook B

03

Cast forthe idea.

A great creator for one concept can be completely wrong for another.

I source based on what the creative needs:

I start with creators I already know and trust, then source wider when the brief calls for it.

Outputโ†’ The right face for the right job
Demographic
Delivery style
Language
Credibility
Aesthetic
Format

04

Keep productionmoving.

Once creators are booked, my team and I handle the moving pieces around the creative.

Briefing. Questions. Deadlines. Feedback. Revisions. Editing. Handoff.

Your internal team stays involved where they need to be, without becoming the project manager for every creator.

Outputโ†’ Launch-ready creative

Briefed

Filming

Review

Editing

Ready

Live

05

Then we lookat what happened.

The first round is not the finish line.

We look at the creative-level performance with your media buyer or team.

Outputโ†’ A smarter next round

Winner โ†’ iterate

โ†’More hooks
โ†’More creators
โ†’New formats
โ†’Offer variants

Loser โ†’ learn

โ†’What did we learn?
โ†’New hypothesis

Already havegood people?Keep them.

Your media buyer keeps the media. Your agency keeps executing. Your editor keeps editing.

I come in where the creative decisions and the coordination around them need real ownership.

Led by me, supported by specialists where it makes sense โ€” the full setup is on the about page.

See the setup

Want me to lookat your currentsetup?

Tell me what the team looks like and where things keep getting stuck.